Friday, December 24, 2010

Dip Machine Effective

The site where I work


This is what I see as I write. A messy world of paper and small ex-votos: a photo of Walser, one of Baudelaire, one of Kafka. My reward Miguel Delibes, a fossil, stamps, rocks, dictionaries and a box with zeal, erasers, staples, never find when I need them. In between, on the wall, my new Ex Libris framed. Since yesterday.

Do You Need Capitalize Communism

door in the wall paper and scissors

Hay un cuento de H.G.Wells, La puerta del muro , en el que cuenta la historia de un niño que, cada mañana, camino del colegio, pasa por delante de un muro en el que hay una puerta que siempre está cerrada.
A menudo se pregunta qué habrá detrás. Dónde conducirá.

Un día, ve la puerta está entreabierta y, empujando, por la rendija, se asoma al interior: un inmenso jardín y la escalinata, al fondo, que conducen a un viejo caserón.
Quiere entrar pero tiene prisa (llega tarde al colegio) y tiene que marcharse. Pero corriendo apurado se pregunta si volverá encontrar algún days that open door. And if they lead to the same garden.

Each year at Christmas, prepare a special gift for friends. A couple of months ago I proposed to Pedro Núñez take charge of the Christmas surprise this year, and I raised to door in the wall . Fifty

original works, signed and numbered on paper made of 250 grams Horse. Fifty

door-figures, architecture, shape-, showing that although the door was opened in the wall, and never returned to the same place.


                                                        Below you can see the fifty works included in the project. A luxury, Pedro Núñez, and its gates.

Wednesday, December 22, 2010

Broken Capillaries On Breast With Pain

RAUL

JAZZ MAYNARD 4. SANS ESPOIR ( HOPELESS, Barcelona, \u200b\u200bOctober 2009)

Album: 24x32cms, hardcover, 48 color pages
Editorial: DARGAUD BENELEUX
(France, 2 April 2010)
Editions: PELLET ED. (Madrid, April 2010)

Screenplay: RAUL
Drawing and Color: ROGER IBAÑEZ

French Translation: GENEVIÈVE MAUBILLE
Graphics: JOACHIM ROUSSEL

Synopsis: Jazz Maynard hopes to settle in El Raval, near those they like, and indulge his passion, the trumpet. But to change his life and leave the past behind, not enough to desire it. Fighting nature will not accept what one is carries a risk: to fall defeated and lose more than life .... hope. ***










Title: The Poincare Conjecture (Barcelona, \u200b\u200bOctober 2008)

Album: 22x31cms, hardcover, 90 pages, duotone
Editorial: PELLET ED. (Madrid, December 2008)

Screenplay: RAUL
Drawing: JOSÉ MARÍA MARTÍN SAURI
Duotone : HECTOR BARROS
Labeling and layout : SEBASTIAN
Romiti Synopsis
: Pol Miandad, a promising young mathematician, takes a comfortable job as lighthouse keeper in one of the most remote places on earth. Away from the bustle of the city and the stifling academic environment, wants to finish the peace necessary to solve one of the greatest enigmas of mathematics: the Poincare Conjecture. Pol
lands at the lighthouse on board a helicopter piloted by Maggie Olsen, girl friend to take up arms and Albatross, the surly old lighthouse keeper who has time to retire. A dog named Byron, faithful companion of the elderly, accompanied by our three players at all times. Just
landing, a series of events happen that will turn the lighthouse into a trap from which no one can escape. All three characters have no choice but to face together the terrible situation, or none will survive.


Title: JAZZ MAYNARD 3. Envers ET CONTRE TOUT ( AGAINST ALL ODDS , Barcelona, \u200b\u200bApril 2008)
Album: 24x32cms, hardcover, 48 color pages
Editorial: DARGAUD BENELEUX
(France , January 9, 2009)
Editions: PELLET ED. (Madrid, December 2008)


Screenplay: RAUL
Drawing and Color: ROGER IBAÑEZ

France Translation: CHARLES D'HAEN


Synopsis: The city of Barcelona through one of the worst periods of its history with organized crime spread like a cancer in the political and police. Jazz, Matt and Jude have no choice but to park their differences and face together the culprit of all evils.
Revenge, commitment, power ...
Everybody has their reason to risk his skin, everyone knows that the fate of their loved ones and the city itself depends on them. ***


Point: End of the first arc of this series.




Title: JAZZ MAYNARD 2. MELODIE D'EL RAVAL ( MELODY RAVAL, Barcelona, \u200b\u200bNovember 2006)

Album: 24x32cms, hardcover, 48 color pages Editorial
: DARGAUD BENELEUX
(France, April 18, 2008)
Editions: PELLET ED. (Madrid, September 2008)

Screenplay: RAUL
Drawing and Color: ROGER IBAÑEZ
France Translation: CHARLES D 'HAEN E
.
Synopsis: The return of Jazz Maynard and her sister the Raval district of Barcelona has not been as quiet they expected. In case you did not have enough problems, now steal Jazz is very valuable object Judas Melchior, who was one of his best friends and now heads the organized crime in the city. Despite being one of the best white-collar thieves in the world and have the invaluable help of his friend Matt, Jazz Maynard not have it easy to carry out such a dangerous assignment.
During the night of the robbery, a series of events will shake the city since its foundation: from now on, Barcelona never be the same. ***

Title: JAZZ MAYNARD 1. HOME SWEET HOME
(Barcelona, \u200b\u200bMay 2005)
Album: 24x32cms, hardcover, 48 color pages
Editorial: DARGAUD BENELEUX
(France, June 15, 2007)
Editions: PELLET ED. (Madrid, September 2007)

Screenplay: RAUL
Drawing and Color: ROGER IBAÑEZ
France Translation: CHARLES D'HAEN

Synopsis: Jazz Maynard was born in the mythical and marginal Raval district of Barcelona. The bad companies and the easy money he predicted a safe destination in jail or the morgue. One day, he decided to leave everything and to go to America, without looking back.
been ten years and Jazz is forced to return to the neighborhood where he grew up. Family, old friends, old haunts, all still there. But everything has changed. Jazz
will soon find out that the target can dodge but sooner or later, giving you just stumbled upon it. ***
Jazz Maynard has seduced me for the originality of its tone, with a picture somewhere between caricature and expressionism. The pace of the story puts the flash-back to serve a fast-paced narrative. Roger and Raul are evidence of an unusual requirement in young authors.
FRANÇOIS Boucq


Title: LIVES A BACKLIGHT (Barcelona, \u200b\u200b2002-2006)

Album: 25'5x30cms, hardcover, 72 pages in color and b & n
Editorial: PELLET ED. (Madrid, June 2006)

Screenplay: RAUL
Drawing and Color: ROGER IBAÑEZ
Design: Raul & ROGER

Presentation: It is strange to think more about the dead than the living. It is also not uncommon to continue loving someone dearly who is no longer among us. And, of course, you can live only in memories. In fact, looking at death in the eye without fear makes us cling more strongly to life, with the same ease with which a child clings to the warm bosom of his mother. ***

Point: This album collects the comics "Amores Dead" and "Loose Cabos," published by Editions Amaníaco in 2002 and 2003 respectively.

Tuesday, December 21, 2010

What Arepolyps In The Brain

Cartónclub: Kemchs (Mexico)


Kemchs Arturo was born in Mexico City in 1958. Former President
of the Mexican Society of Cartoonists, founder of the magazines Lapistola and scurrilous, currently director of the magazine Humoris Cause. He has published over 12 books and numerous national and international awards. From your main blog
invite you to visit its many Web sites:
http://kemchscaricaturista.blogspot.com/


Congratulations also to you, dear Kemchs!


Beards Diego - Wikileaks 1

Saturday, December 18, 2010

Closet Flange Adapter



I was yesterday at the home of Pedro Nunez, who prepared a project, and I loved his world of paper folded and cut.

knew his work for five or six years, and always seemed to me suggesting that his ability to create paper sculptures.
works that convey the strength of the architectures, and certainty at the time of its fragility.

I had occasion to see things that are work: mobile, deployable, shapes, trompe ..


prepare, and had, a project titled Door in the Wall: fifty original based on a story by HG Wells.
The photos are from all corners of your home: tables, doors, shelves ... A strange place full of wonders.

Saturday, December 11, 2010

How To Dispose Sanitary Pads

Román Rivas send your calendar the 9th


Our esteemed colleague Román Rivas rockabilly send us your Writers Calendar 2011.
Highly recommended, can be purchased at the Cultural Center Spain, Book of the Brothers of the Leaf Centre, Condesa Hall (next to the Palace of Mining) and the Museum of Caricature.
Cost: $ 40.00 Pesillo.

Hugs, Román Rivas

http://romancartoon.blogspot.com/

Thursday, December 9, 2010

Vidio Zoofiliazoofilia

Landscapes from the car

Always ground passenger travel. The fact that it has no driver's license makes no doubts. So I request air conditioning, music selection, and was always under the pump when to refuel. Activities, all that do not require qualifications beyond the natural abilities.

also accustomed to taking pictures from the window. I like this landscape, diffuse, accidental, which define the shoulders. Those places where one never stops and you are like no man's land.

trees and lampposts, farmlands and roads that do not really know where they lead. Stones, abandoned houses, buildings with broken glass, iron, rust, rust ... Landscapes
approaching, fuzzy, far away, like ghost ships, and disappear a second later, and moved out in the photos.

I was surprised the other day, the sunset, back to home.The waste of colors-gray, ocher, blue-skies and clouds, and the threads of light, veiled, prodigious, with some over- Hollywood, a little to the Cecil B. DeMille.


Does the tree top, of course, is not to Gone with the Wind ?


Friday, December 3, 2010

The Departure Times From Liverpool Pier Head

Writers 2011 International Meeting of Cartoon and Caricature at the FIL


As every year, high incidence of artists in the FIL in Guadalajara.
In its ninth meeting, is delivered to cartoonist Catrina "The Voyeur."

Program Friday December 3

Room 4 (FIL)

Opening

9:45
Mario Orozco Words Abundis

Roundtable: The comic and its present: the use of technology to social networks.
10:00
Participants: Carrillo Sebastian Bach, and Jorge Pinto Ricardo Cucamonga.

Roundtable: The comic: his transformation from paper to the network.
11:00
Participants: Luis Fernando, Sergio Tapia and Luis Gantus.

Roundtable: "The teacher Narro."
12:00
Participants: Eduardo del Río "Rius" and Jose Maria died.

Roundtable: "The Chamuco and the children of hell"
13:00
Participants: Eduardo del Rio "Rius" , Rafael Barajas "The Voyeur", Rafael Pineda "Snuff", Patricio Ortiz, Cintia Bolio, Antonio Helguera and José Hernández.

Program Saturday December 4

Auditorio Juan Rulfo (FIL)

Roundtable: Remembering Gabriel Vargas.

10:00 hrs.
Participants: Guadalupe Appendini, Sergio Aragonés, José Luis Diego Hernandez "Torn Apart", Guadalupe Lopez and Agustín Sánchez González.
Roundtable: "Zeina Abirached, cartoonist"
11:00
Participants: Zeina Abirached and Sergio Aragones.

Book Launches Center of Arts, Architecture and Design
12:00

Homenaje a Rafael Barajas "The Voyeur"
13:00
Delivery of "La Catrina"

Thursday, December 2, 2010

Do You Go Dry Before A Period

Urberuaga

Every year for quite some change of Ex Libris, an eccentricity confesable, greedy, of which I spoke here a few weeks ago. So start early December with the buzz of the calls.
This year, I talked with Emilio Urberuaga, talented guy, exceptional conversationalist, enthusiastic traveler and generous friend who gladly accepted not only take care of Ex Libris, but with their legendary British punctuality sent me the original drawing a few days ago.

Two crocodiles, one smiling and one sad, like life itself, looking in different directions with their feet stuck in the water.


I've always envied, of Urberuaga, his dandyism without deception, his neck scarves, arts, swim-va to the pool almost as much as Mars, and that ability to roll his cigarettes, fine and distinguished, like the English.

F. Cover Coloane
I loved
know, three or four summers at meetings of Arenas de San Pedro, one afternoon ended with the car in the ditch.
Since then stayed to eat from time to time, and give a few long walks, I let him win.
So we're happy, this time, all Marchamalo and it seems, all too happy crocodiles.
That, of course, and for general peace, has assured me they do not bite.
What luck!

Illustration for Manolito Gafotas



Cover Speech Bear